Magazines : Entertainment Weekly (6-month)

Magazines : Entertainment Weekly (6-month)

Entertainment Weekly (6-month)

from: The Time Inc. Magazine Company



Entertainment Weekly (6-month)
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List Price: $98.00
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Average Rating:  out of 5 stars
Sales Rank: 302










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Binding: Magazine
First Issue Lead Time: 4-6 weeks
Format: Magazine Subscription
Issues Per Year: 57
Label: The Time Inc. Magazine Company
Magazine Type: Time magazine
Manufacturer: The Time Inc. Magazine Company
Number Of Issues: 28
Publisher: The Time Inc. Magazine Company
Release Date: November 23, 2001
Sales Rank: 302
Studio: The Time Inc. Magazine Company
Subscription Length: 179 days










Editorial Review:

Item Description:
Stretch your entertainment dollar to the max! America's most exciting weekly entertainment magazine. Stay on top of what's hot (and what's not!) in movies, videos, books, and more from ENTERTAINMENT WEEKLY - Winner of the National Magazine Award.









Availability: Usually ships in 4 to 6 weeks


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Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - * Entertainment Weekly ...
I've been getting Entertainment Weekly for about 10 years, and I've pretty much liked it the entire time. For a while, they had a problem with spoiling plots, but that seems to have been addressed. This magazine keeps me informed about the pop culture that I don't have enough time to experience first hand.



Rating: 2 out of 5 stars - * recent changes have severly reduced the quality of EW ...
I had been subscribing to EW for about 3 to 4 years. I have just decided not to renew. Here is why and also why you should think about not purchasing EW. About 2 or 3 months ago, EW changed its design. The move was supposed to re-energize what has become ordinary and increase EW's appeal. What actually happened was that EW increased the font of the text and the size of some of the pictures in some sections. EW did not similarly increase the number of pages it dedicated to the same sections, however. Consequently, the book review section shrunk from about 20 or so reviews to around 7 or 8. The same thing happened to the music review section. EW essentially reduced its content and call it a refashioning of the magazine. Clever. So I wonder whether the re-styling was not really just an attempt to hide that EW decided not to cover music and books anymore and fired its staff (or the staff just left and EW didn't want to hire anyone else). In any event, the only reason I bought the magazine in the first place was for the reviews. If you are like me, then I suggest to look elsewhere. If all you care about is the first part of the magazine, i.e., whatever the studios are trying to sell to you at the moment, then this is the magazine for you.



Rating: 3 out of 5 stars - * GOOD FOR REVIEWS ...
I think this magazine is among the best of the entertainment genre. But I do agree with others who say it has a great deal of filler. I must admit when the magazine comes each week I quickly turn to the reviews and I think their reviews are excellent. I devour the new movies, television, dvd, music and book reviews and they help me plan what to see, watch and read. Very helpful. But I pay for the whole subscription for this small amount of the magazine. It is valuable to me though so I buy it.

I very rarely read the stories. I read more on entertainment stories on my computer on AOL. Even when the story is on a celebrity or subject I like I find the articles boring and slight. Also, over the past few issues they have changed their format and now the magazine is even less desirable to me. I think it will be my last year of subscribing.



Rating: 4 out of 5 stars - * Buy it HERE! ...
If you want this magazine, BUY IT HERE! I made the mistake of ordering it when I was at the check-out line at Best Buy. It got me a few free issues and then automatically billed me for the rest of the subscription. What I didn't realize was that it renewed at a six month subscription for $44.95!!! Can you believe that? $90 a year! When I found that out, I immediately canceled and am about to renew it through Amazon. A MUCH better deal.



Rating: 3 out of 5 stars - * OK Mag Lots of Filler ...
I like this magazine. It is not bad but I have a big complaint with it. It is and has always been full of filler. I know it is a weekly so they have to put some content in it but it has way too many 'Lists'. They fill an entire magazine with 'The Top 100' this or 'The Top 100' that. And then a legend like Richard Widmark or Dan Fogelberg dies and they give them a tiny picture and a couple of sentences. But since 'Premiere Magazine' stopped publishing it is about all I can get.


(6-month) Weekly Entertainment


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With the help of producer/songwriters William Orbit, Mark Ronson, Jerry Meehan, Joey Negro and Soul Mekanik (plus guests as diverse as The Pet Shop Boys and Lily Allen), Robbie Williams has achieved a most radical transformation. Gone is the slick, pop-rogue of yesteryear: in his place is a new Robbie that raps, embraces club beats and (mostly) favours personal indulgence over cheesy, universal pop. Recent single "Rudebox", all electronic riddims and slack-rap vocal delivery, was just the start of this transition. The rest of Rudebox completes the remarkable overhaul with several eclectic covers - from Manu Chau's "Bongo Bong" and Lewis Taylor's underground classic "Lovelight," to subversive takes on The Human League ("Louise"), My Robot Friend ("We're The Pet Shop Boys") and Stephen Duffy ("Kiss Me") – and tracks such as "Keep On", "Good Doctor" and "Dickhead", which confirm his quite bewildering quest to becoming a comedic, Staffs-accented version of The Streets.

Slightly more serious are his attempts at what he describes as 'wonky pop'. Songs like "Viva Life On Mars", his odd ode to Madonna ("She's Madonna"), the dark "The Actor" and catchy club-hit-in-waiting "Never Touch That Switch" all feature innovative production and interesting arrangements. Toward the end, we get "The 80s" and "The 90s", two more amusing "rap"-tracks that cover the singer's adolescence and his Take That years respectively; these underline the nostalgic, end-of-an-era feel of the LP. Audaciously eclectic and admirably upfront, Rudebox is overtly a form of personal catharsis. Not all the experiments work, but they're better than you might think, and now they're off his chest it'll be interesting to see where the new Robbie Williams heads to next.--Paul Sullivan
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Greatest Hits chronicles the remarkable journey of Mr Robert Williams, from being the "fat dancer from Take That" (c. Noel Gallagher) to the multi-million pound jewel in EMI’s crown. Assembled in chronological order, all the hits are here, except for his initial solo outing "Freedom", and it’s interesting to see how his sound evolves from wannabe Britpop buffoon on the sub-Oasis pubrock of "Old Before I Die" to the subtle captivating melodies of "Feel" and "Come Undone". There are so many great tracks that it’s impossible to list them all, but highlights have to be the barnstorming "Let Me Entertain You", the bouncy, floor-filling "Rock DJ" and the song that madeth the man, "Angels". The two latest additions to his canon--"Radio" and "Misunderstood" clearly have one eye on the past, the other on the future – with the latter an instant classic Robbie ballad from the Bridget Jones 2 soundtrack and the former a foray into the world of electro pop that sounds like a warped Human League track from the 1980s. This has to be Robbie’s forte, his ability to make great pop records that always sound fresh and full of energy. Every home should have a copy of this album, and chances are, by the end of 2004, most of them will. -- Melanie Wilkin

Month,B0000AWD8X 6 Weekly Entertainment
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